The 15th International Screenwriting Research Network Conference is to take place in Columbia, Missouri, from 20th – 23rd September 2023. More information can be accessed here:

https://www.stephens.edu/srn2023/

CALL FOR PAPERS
SRN 2023: GENDER AND THE FEMALE GAZE
September 20-23, 2023
The SRN (Screenwriting Research Network) is comprised of scholars, writers, and practice-based researchers. Started in 2006, the network currently has 700 members from 50+ countries. The aim of the annual International Conference is to continue, and expand, discussions around the screenplay and to strengthen a rapidly emerging, and global, research network. For more Information, please visit our website: http://screenwritingresearch.com
The 15th annual conference is organized by the Stephens College MFA in TV and Screenwriting and the School of Integrative Studies at Stephens College. The arts and humanities thrive in Columbia, Missouri, as dozens of on- and off-campus performances occur year-round at
Stephens, making the College one of Columbia’s premier centers for the performing arts.
Call for Papers:
Coming from a host college that focuses on female participation in the arts, the conference theme “Gender and the Female Gaze” wants to discuss the contributions of female screenwriters and the plethora of female-focused stories told on screen from the Silent Era  through the modern day. We encourage and embrace research that is around women of different ethnicities, religious and cultural backgrounds, and particularly hope to engage topics which relate to minority cultures within minority (and majority) communities. We are thus particularly interested in abstracts for presentations on (but not limited to) the following topics:
• Female screenwriters in silent cinema
• The influence of female writer(-directors) in contemporary culture
• Case studies on individual female screenwriter’s work
• Patterns in the women-centred stories that have been brought to the screen
• Historiography of manuals and screenwriting pedagogy where this reflects the work of female screenwriters
• Censorship of women’s stories and women’s writings
• Female screenwriters within writing partnerships
• The work of female screenwriters within script production (e.g. as showrunners, script editors or consultants)
• The question of a female voice within screenwriting
• The cultural influence of female characters created by female screenwriters
• The way life experiences led to the story told
• The challenges to their projects screenwriters often meet which speak to political, religious, gender or other barriers which may not apply to their male counterparts.
• The real-world impact of the script on its audiences and society.
• Examples of the ways women stepped out of traditional roles to work for change and an improved future for themselves and their communities through screenwriting.
• How female screen stories tackled issues of culture, religion, identity, gender and race
• How women have negotiated screen industry norms and practices, biases and social hurdles in order to tell their screen stories.
• Ways in which the professional woman’s everyday life (e.g. romance, marriage, parenthood status or citizenship) has been challenged or made more challenging because of her professional work, and vice versa.
• Issues caused by unreliable narrators of history
• Studies of cultural appropriation in screenwriting; cultural imperialism; cultural disconnect and/or discord which comes about through discourses of power
• Research into the ways in which money/ finance precludes certain stories from being told, even by successful screenwriters

Proposals for presentations beyond the theme of the conference are also welcome. The aim of the SRN being to foster research that rethinks the screenplay in relation to its histories, theories, values and creative practices, any proposal underpinned by such research will be considered. We expect papers on the broad topics of pedagogy, theory and practice – but even those may reflect the conference theme via the choices of writers chosen for inclusion in the study.
–
Essential Information:
Deadline for abstracts: January 6, 2023
Acceptances: February 15th, 2023
Registration by: June 30, 2023
Submissions via email and contact:
Rosanne Welch
rwelch@stephens.edu

Submission of abstracts/proposals
Proposals/Abstracts can be sent as either a Word or PDF document: please indicate
“yourname_PROPOSALTYPE” (i.e. paper or panel) clearly in the file title and in the subject heading of your submission.
All presentations will be delivered in person, in English, and be underpinned by original research work being conducted by the presenter. Multiple presenters (max. 2) for co-written papers are allowed.

1.) Proposals for traditional 20-minute papers, followed by Q&A. They should include:
Title
Author’s name
Affiliation (university, independent, practitioner, etc.)
Contact details
Abstract (max. 300 words)
4-6 keywords
short bio (max 150 words), detailing your research activity, publications and/or screenwriting practice – and if the piece contributes to the conference theme please note.

2.) Proposals for Pre-constituted panels
Proposals for pre-constituted panels can be submitted by any of the presenters or the Chair of the panel and should include:
title of the panel
brief outline (100 words maximum) of the overall topic
abstracts of all the presentations – no more than 3 papers – following abstract guidelines listed above.

Abstracts should follow the guidelines for individual papers as above and include short bios and contact details of both the speakers and the panel Chair. Wherever possible, the Chair should NOT be one of the presenters. If a proposal for a pre-constituted panel does not include a Chair, the Conference Committee will appoint one. All proposals should indicate “Panel Proposal SRN 2022 in the file title and in the subject heading of the submission email.

Website and registration
The Website for the conference will include a wealth of useful information (e.g., registration, travel arrangements, accommodation options), as well as all the updates and the program leading up to the Conference. It will go live in early December.
The conference fee is expected to be in the region of $120 USC /100 Euro.

In this video, JJ Murphy, Kathryn Millard and Alex Munt talk to Rosanne Welch about the SRN conferences they organized in Sydney (Australia) in 2012 and Madison, Wisconsin (USA) in 2013.

This is the living memory of the Screenwriting Research Network.

Call for Papers

14th Screenwriting Research Network International Conference:
Globalizing Screenwriting

22nd-24th September 2022

Department of Theatre, Film and Media Studies, University of Vienna, Vienna, Austria

UZA II-Rotunde, Althanstraße 14, 1090 Wien

Film Academy Vienna,
Anton-von-Webern-Platz 1, 1030 Wien

Essential Information:

Deadline for abstracts: 15th December 2021
Shortlisting/notification of acceptance by: End of January 2022
Early-bird registration: From early March until end of May 2022
Regular registration by: Mid-July 2022
Late registration by: End of August 2022
Submissions via email and contact: stephanie.schwarz@univie.ac.at

Call for Papers:

The SRN is comprised of scholars, writers, and practice-based researchers. Started in 2006, the network has achieved a substantial critical mass over the years – currently counting 700 members from 50+ countries.

The aim of the annual International Conference is to continue, and expand, discussions around the screenplay and to strengthen a rapidly emerging, and global, research network. So far, they have taken place in Leeds (2008), Helsinki (2009), Copenhagen (2010), Brussels (2011), Sydney (2012), Madison-Wisconsin (2013), Potsdam-Babelsberg (2014), London (2015), Leeds (2016), Dunedin (2017), Milan (2018) and Porto (2019) and due to pandemic online, organized by Oxford Brookes in 2021.

Submission of abstracts/proposals

Proposals/Abstracts can be sent as either a Word or PDF document: please indicate “yourname_PROPOSALTYPE” (i.e. paper, panel, or videoessay; see below) clearly in the file title and in the subject heading of your submission.

Format of presentations/abstracts

After the cancelling of the 2020 conference and the online seminar series we are planning a face-to face conference, the first since Porto 2019.

All presentations, regardless of format, must therefore be delivered in person (i.e. no pre-recorded presentations), in English, and be underpinned by original research work being conducted by the presenter (i.e. no recycling/repetitions from previous SRN or other conferences). Multiple presenters (max. 2) for co-written papers are allowed.

We accept proposals for presentations in the following formats:

Individual papers

Proposals for traditional 20-minute papers, followed by Q&A. They should include:

• Title
• Author’s name
• Affiliation (university, independent, practitioner, etc.)
• Contact details
• Abstract (max. 300 words)
• 4-6 keywords
• short bio (max 150 words), detailing your research activity, publications and/or screenwriting practice.

Pre-constituted panels

individual papers + Q&A (as per guidelines above) on a shared topic. Proposals for pre-constituted panels can be submitted by any of the presenters or the Chair of the
panel and should include:

• title of the panel
• brief outline (100 words maximum) of the overall topic
• abstracts of all the presentations – no more than 3 papers.

Abstracts should follow the guidelines for individual papers as above and include short bios and contact details of both the speakers and the panel Chair. Wherever possible, the Chair should NOT be one of the presenters. If a proposal for a pre-constituted panel does not include a Chair, the Conference Committee will appoint one. All proposals should indicate “Panel Proposal SRN 2022 in the file title and in the subject heading of the submission email.

Audiovisual essays

Proposals are invited to present an audiovisual essay of 15 minutes maximum, in which the presenter(s) express a position on one of the above topics. It should NOT be a recording of a traditional paper presentation nor an experimental film; rather, it is an audiovisual discourse on a theoretical position. Essays can be submitted both individually or in panels of 3 videos grouped thematically (see guidelines above).

Note: the presence of the presenter at the conference is required.

Shortlisting

We warmly recommend that the abstracts be as well-drafted as possible with a well-
defined research question, a clear focus, and a short summary of the intended

content of the presentation at the time of submission.
We aim to notify acceptance/rejection of proposals by the end of January 2022.

Website and registration

The Website for the Vienna conference will include a wealth of useful information (e.g., registration, travel arrangements, accommodation options, Covid rules), as well as all the updates and the program leading up to the Conference.

Registration will have the usual phased deadlines (early-bird, regular, late-premium, student concession); the conference fee is expected to be in the region of 100 Euro.

Contacts

Please address any query regarding abstracts, registration, program, etc. to claus.tieber@univie.ac.at or stephanie.schwarz@univie.ac.at

• Claus Tieber University of Vienna, FWF-Project (Organizer)
• Stephanie Schwarz University of Vienna, FWF-Project (Co-Organizer)
• Claudia Walkensteiner-Preschl, Film Academy Vienna (Co-Organizer)

Department of Theatre, Film and Media Studies, University of Vienna
UZA II-Rotunde, Althanstraße 14, 1090 Wien

Film Academy Vienna
Anton-von-Webern-Platz 1, 1030 Wien

That’s right! The wait is over, the whole event has finally taken shape and as of today you can start accessing all content and information via the website at srn2020.com (I know, but changing the domain name meant additional costs, and if sport events can keep the original 2020 name, why shouldn’t we at least in the URL).

Let’s get to business! The first thing everyone should do is register to SRN2021. Registration is FREE but “required” for everyone – speakers and regular attendees alike. This is because, among other things, while a good wealth of information is freely accessible anyway, the core content of SRN2021 – namely, pre-recorded video-presentations of papers, live panels and related recordings – will only be accessible via password, which you will receive when you register. To register, simply fill in and submit the form that applies to you (speaker or attendee) on the website. Registered delegates will also receive the login details (i.e. link, session ID and password) for all the live panels’ sessions (these will be sent out as invitations around mid-late August).

Then you can take a look at the schedule for the Live panels to get an idea of the incredible amount, variety and originality of the research being presented by our panelists this year. Despite everything that is going on, we still have 20 panels and 76 papers in our line-up. More about this in a minute.

As you all know, SRN2021 Online replaces (or, at least, will do its best to try) our Annual Conference, which had to be cancelled. Switching online meant having to adjust to the unusual format but also gives us the opportunity to make the most out of what it offers. Therefore, the SRN2021 experience is not limited to the “live” sessions: it starts before (essentially, NOW) and it continues afterwards, with the website as your central control hub for everything – as easy as 1, 2, 3!

1)    PRE-RECORDED PRESENTATIONS: all speakers have been asked to submit their papers as pre-recorded 15’ video-presentations; they will then attend their respective live Q&A panels in a few weeks’ time. Given the number of papers, the best approach is to watch as many presentations as possible ahead of the live sessions so as to be able to make an active contribution to those. On the website you can find all the abstracts and bios, and you can easily access (via password) all the presentations. A dozen or so are already online (many thanks to those of you who submitted early!) and most other submissions are expected in the next week or two – I will upload them on the website on a daily basis.

2)    LIVE PANELS: bookmark the dates on your calendars if you haven’t done so already. We kick off on Tuesday 31 August, then continue in September, on Friday 3, Wednesday 8, Monday 13 and Friday 17. The full schedule is available as a PDF document: the reference time zone is UTC/GMT (i.e. UK time), but you will find downloadable versions for all time zones (at least those of our speakers). And you can also access the programme for each individual day. The schedule is now pretty much final although some tweaks might still occur.

As per previous emails, on each day we will have two sessions so as to give delegates from all geographic areas a chance to attend at least one (colleagues from Europe can easily attend both). Unless you turn into owls you will probably miss a few sessions when it’s night time in your country: not to worry because we will record all of them and make them available ASAP as catch-up via the website. However, please please please do try and attend as many as reasonably possible: we do need lively panels to make this work. And remember that, on top of the regular panels’ Q&As, the live sessions also include the two keynotes, the AGM, the EC Elections, a round table, the SRN Awards, the Working Groups, plus time to network with colleagues. Again, info on all of these are available on the website.

Q&As: each panel will last on average 45 minutes (a little longer if it’s a panel of five). How to ask questions to our speakers? During the live session you can ask questions either in person or via chat (the chair/host will moderate these). But you can also submit your comments/questions on the website when you watch the presentations; in this case, the relevant chairs will collect them and forward them to the speakers during the live panels.

3)    The AFTERPARTY: I am planning to organize a few extra one-off events with special guests (I’m still working on this though). If things go to plan these will be in late September/October/early November. These will likely be informal chats with writers and/or producers, and/or workshops with colleagues, and/or more ad-hoc networking sessions to foster collaborations with SRN colleagues. Plus, last but not least by any means, in November we will have the ECR Symposium organized by Ann Igelström – you can find the details to submit your proposals on the website (as well as on the SRN website). The deadline is 10 August, so hurry up! And yes, if you are an Early Career Researcher you can submit to the Symposium even if you are already participating in SRN2021 (with a different paper, though).

Specific dates and events aside, the website (and all its content) will remain available to all registered delegates for the next two years, thus giving all of you plenty of time to check out research strands you might be interested in and get in touch with colleagues for potential future collaborations.

As you can see, there’s enough on the website to get you going for a long time so better get started straight away, right? I have done my best to redesign it and hopefully you will be able to navigate it as smoothly as possible: however, if you spot any errors, or bump into anything that doesn’t seem to be working properly, do give me a shout and I will try to fix it. For instance, I tried to optimize the website so it can be accessed from computers, tablets and phones, but it looks like older devices might have some issues displaying some content.

You will notice a few pages on the website still marked as “Coming soon”. These are still under construction and will become available within the next few days. One of these, for instance, will allow you to search for content in different ways based on your interests. If you are not familiar with Zoom (the videoconferencing platform we will be using for our live sessions) you will soon find guidance and tips on the website. Or, again, the specific pages for individual days of the live panels. I will send out weekly updates from now on, each one focusing on a few specific things in the lead-up to the live sessions.

One final reminder: on Day 4 (13 September) we will hold our AGM and the elections of three new members of the Executive Council of the SRN. Please consider standing for election: the call for nominations was issued last month, is available on the SRN website here, and you will soon find the relevant info on the SRN2021 website as well. The deadline to submit your nominations is 16 August and we will set up a secure online voting system in the forthcoming days.

This is it for today.

Do explore the website, register right away, get watching the presentations, mark the dates on your calendar and start enjoying SRN2021!

In 2021, the Screenwriting Research Network will gather the membership in an Online Seminar during August and September.

More information and the full programme can be accessed here.

FAO of the SRN Executive Council 

CURRENT SITUATION (up to date as of 19 April 2021) 

At the moment, in the UK we are riding out of the third wave of pandemic, which seems to be  subsiding quite substantially, with numbers down to 1500-2000/day, although now that some  restrictions have been lifted these are predicted to rise again in the forthcoming weeks. 

Last week saw the enforcement of Step 2 of the so-called Roadmap out of lockdown, which can  be summed up as per below: 

• Only outdoor activities/hospitality venues/attractions have re-opened 
• Working from home whenever possible still apply 
• No accommodation (e.g. hotels) 
• No catering services indoors 
• No unnecessary travelling 
• Universities have re-opened with limited activities (i.e. practice-based) and capacity • Gathering: 

o No indoor gatherings (fines of up to £10,000) 

o Only family/friends up to 6 outdoors 

• Usual guidelines still apply:  

o 2-metre social distancing 

o Face covering 

o Sanitising hands 

However, the situation worldwide is still quite challenging. 

In countries like Australia, New Zealand, Norway, Finland and Denmark, it seems to be fairly  under control as it’s been for most of the past year. 

There seems to be much improvement in other countries such as, for instance, Spain and Portugal. But it remains tough in the US and in most other European countries; and it is still dire in South America and quite a few other countries such as India (not all countries in the map supply up-to date data). 

As known, the rollout of vaccination programmes has been seriously delayed in many countries and even implemented in different ways: for example, in the UK about 50% of the population has  now received their first dose of the vaccine, but only about 15% have received the second dose as  well. Comparing current data from the WHO, Johns Hopkins University, and BBC, very few of  our delegates’ countries – e.g. the U.S., Chile, and the UAE – are doing fairly well with 23-29% of  the population now fully vaccinated; most others (especially in Europe and South America, where  80% of our delegates come from) are lagging much behind (2-9% on average). The most optimistic  predictions seem to converge towards the late Autumn/early Winter for vaccination programmes  to reach significant results both on a local and global scale. 

Travelling to England from outside the UK 

While several countries are beginning the rush to open their doors to tourists, at the moment the  “real” situation is as follows: 

• Travel ban/no entry to the UK from countries on “red list” (i.e. the whole of South  America, all countries in the Southern half of Africa, a few Asian countries, with India likely  to be added soon as well) 

o At the moment, this involves at least 13-15 delegates 

• Passengers from ALL other countries are subject to mandatory test-and-quarantine rules (i.e. applies to ALL other non-UK resident delegates): 

o Before you leave for the UK: 

Take a Covid-19 test and get a negative result during the 3 days before you  travel 

Book a test-and-quarantine package (£1750 per person), which includes: • Accommodation in a managed quarantine hotel (if you do not have  private accommodation)

o Throughout the whole duration of your quarantine, you  

CANNOT leave your hotel room 

• Two Covid-19 tests to be taken during quarantine 

o If you test positive, you will have to stay longer 

Complete the online passenger locator form (within 48 hours of departure) o On arrival in the UK: 

Provide proof of a negative coronavirus test (only accepted in either English,  French or Spanish) taken in your country 

Quarantine/self-isolate for 10 days, either:  

• In private accommodation (if you have one), or 
• In a managed quarantine hotel 

Take TWO Covid-19 tests on days 2 and 8 of quarantine (as per your booking) 

• You can book and take an “early” test (called Test and release) to  

end quarantining on Day 5, at extra cost (£220; rumoured to be reduced to £55 in the near future) via private providers 

• Infringement of any of the above is considered a serious criminal offense and carries fines  of up to £10,000 and imprisonment for up to 10 years  
• Upon returning to your country: 

o Most countries have enforced their own test-and-quarantine rules, which might  apply when returning home in some cases 

EXPECTED CHANGES IN MAY/JUNE 

Step 3 of Roadmap out of lockdown (not before 17 May) 

• Outdoor gathering and events of up to 30 people 
• Events with up to 30 (does not specify whether indoor events are allowed; and if  conferences are included in this category that so far includes weddings, funerals and  similar) 
• Indoor hospitality re-opens (e.g. hotels) 

Travelling to England from outside the UK 

• Rules will most likely switch to a “traffic light system”: 

o Green: free entry/no restrictions subject to negative pre-departure test and  subsequent negative PCR test (i.e. a swab of your mouth and nose) on Day 2 of  your stay in the UK 

At the moment, only a handful of countries are predicted to be given green  status – as concerns our delegates, these will include only USA and Portugal o Amber: equivalent to current test-and-quarantine system 

Most of our delegates’ other countries will be “amber”  

o Red: equivalent to current “red list”, i.e. total ban/no entry 

• In short, not much will actually change compared to the current situation Step 4 of Roadmap out of lockdown (not before 21 June)
• Plans to reopen all activities and events (including indoors) 
• Travel traffic light system to be reviewed on 28 June and 31 July; while many hope this will  mean even fewer restrictions, in fact predictions are for numbers to get worse in the weeks/months following re-opening of international travel and therefore said periodic  reviews could end up tightening restrictions instead

• Full review of restrictions/guidance (including how long social distancing and face masks will  remain in place) 

BUT 

• No specific dates are mentioned regarding the latter 
• All the above depends on the outcome of “a scientific Events Research Programme to test  the outcome of certain pilot events through the spring and summer, where we will trial the  use of testing and other techniques to cut the risk of infection” (source: UK.gov, no further  details available so far) 
• All the above applies to the UK population, on the assumption that most will be vaccinated  by the Summer 

o Visitors from abroad attending events will still be subject to the traffic light system,  and therefore test-and-quarantine where applicable unless restrictions are changed/lifted in June-July 

CONCLUSIONS 

To sum up, in the most optimistic scenario: 

• If all the above goes according to plan, and 
• If no new waves occur and/or no new variants emerge 

It might be possible for IRL events such as SRN2021 to be “legally” allowed from July onwards. 

A meeting with the Events Team at the conference venue (i.e. the Mathematical Institute) was held  to assess all the above and viability of the conference based on available information and on the  participation of many delegates from outside the UK. 

In practical terms the most likely scenario in case we ran SRN2021 as normal, is as follows: 

• Social distancing and face covering rules will still apply indoors at the venue and during the  conference, regardless of whether new regulations will allow for some more flexibility • Social distancing rules will mean severely reduced maximum room capacity. More  specifically: 

o Main Lecture Theatre (used for plenaries and panels): from 250 to 55 

o Other seminar rooms (used for panels): from 40 to 12-15 

• In turn, this means having to reduce the maximum number of delegates to 55 • However, the cost of hiring the venue will remain the same and therefore registration fees  are bound to be substantially higher than expected 
• Only formal sessions possible: no additional social/networking activities can be planned • Catering: 

o At the moment the venue’s supplier cannot guarantee service for large numbers o Assuming catering can be supplied, it will likely be in the form of individual pre packed parcels to be consumed and cost more 

o Regardless of the above, at the moment the caterer is unable to provide a quote

• A hybrid solution is not financially viable: the venue does not have in-house capability for  that and will have to hire an external company to handle the setup and live streaming – daily costs are from £1200+VAT and would add to existing running costs 

The above considers the situation in situ in Oxford. Unfortunately, we still need to factor in a few  more issues for delegates, especially those coming from abroad. 

• While this might change in the forthcoming months, as things stand now most international  delegates will very likely have to follow test-and-quarantine rules, with all the extra time  and cost that this entail. Luckier delegates coming from “green-listed” countries will still  have to take tests and if positive will have to quarantine as well. 
• Virtually all universities in all countries currently enforce a ban on international travel that  is likely to last till the end of the academic year – i.e. until August-October in the Northern Hemisphere, but until the end of 2021 in the Southern Hemisphere. 
• Linked to the above is the freeze on funding for international travel. Budgets for this work  according to deadlines of the academic year and therefore for most delegates this means  funding won’t be available before September/Autumn in the most optimistic scenario. 
• Also linked to the above ban, is travel and health insurance. Most delegates work for  academic institutions and when they travel to attend conferences overseas they are  covered by their work insurance. Until universities’ travel bans last, this means insurance  cover is void if delegates decide to travel and attend the conference anyway and therefore  they will have to purchase cover out of their pocket. 

In light of the above, I conclude that, unfortunately, the conditions to run/host SRN2021 in Oxford  safely as per plan are not met and, therefore, for the 2021 Annual Conference to be cancelled and  be replaced by an “alternative online event” TBD ASAP as per discussions so far. To this purpose,  pending the SRN Executive Council’s approval in today’s monthly meeting:  

1. I will announce the decision to the Membership on Tuesday 20 April;  
2. I will outline an “alternative online event” format to be presented to the Membership,  possibly by the end of April – this will include alternative format(s) for paper panels and  Q&As, keynote speakers and guests (where available and confirmed), virtual AGM, EC  Elections and SRN Awards and will take into account time zones and limitations and/or  advantages of available platforms (e.g. Zoom).  

On a final, positive note, I can confirm that the School of Arts at Oxford Brookes University is still  willing to provide minimum financial support (roughly £1300) to cover the cost of keynote  speakers’ fees, SRN Awards and website subscription/hosting. 

19 April 2021 

PAOLO RUSSO 

SRN2021 Conference Director